A side view of the AquaPraça exhibit, with a woman walking on it.

Alums’ Installation at the Venice Biennale Evokes Rising Seas

Stories You May Like

Trailblazing Architect Kimberly Dowdell ’06 Aims to Inspire Others

From Nature’s Structures, Prof Weaves Architectural Creations

Better Living Through Landscape Architecture

Take a photographic tour of AquaPraça, an ambitious project by two AAP grads that aims to spur discourse around climate change

By Cornellians staff

While the Venice Architecture Biennale opened in mid-May, one of its most notable installations made a dramatic entrance in early September. Titled AquaPraça ("water square" in Portuguese), the work comprises a floating public plaza that was transported to its site via waterway.

The installation, at the Biennale's Italian Pavilion, was created by J. Meejin Yoon, BArch ’95, and Eric Höweler, BArch ’94, MArch ’96, in collaboration with CRA–Carlo Ratti Associati.

Meejin Yoon and Eric Höweler stand near a pool on the AquaPraça exhibit.
provided
Höweler (left) and Yoon on AquaPraça.

(The two Cornellians cofounded the design firm Höweler + Yoon; CRA's founding partner and namesake, Italian architect and educator Carlo Ratti, is also the 2025 Biennale's curator.)

"AquaPraça is designed as a platform, both literal and figurative, for deepening our collective understanding and experience of sea level rise and the impacts of climate change on global cities and communities," says Yoon, dean of the College of Architecture, Art, and Planning. "It is an immersive civic space for advancing public discourse, fostering international cooperation, and seeking collective solutions."

AquaPraça is designed as a platform, both literal and figurative, for deepening our collective understanding and experience of sea level rise and the impacts of climate change on global cities and communities.

AAP Dean J. Meejin Yoon, BArch ’95

Constantly retaining and releasing water, the submersible structure uses principles of displacement and buoyancy to maintain a minimal freeboard—the space between a ship's waterline and its deck—that rises and falls in response to both occupancy and ecological changes.

After Venice, AquaPraça will take a transatlantic journey to Belém, Brazil, where it will be featured at the U.N. Climate Change Conference in November 2025, before becoming a permanent part of the city's infrastructure. (Known as COP30, it's the world's largest international climate conference.)

Spanning more than 400 square meters, the structure—which debuted as a scale model during the Biennale's opening in May—can hold up to 150 people for exhibitions, workshops, symposia, and cultural events.

The AquaPraça exhibit is towed into a Venice canal
provided
The installation nears its mooring at Venice's Arsenale.

"Carefully calibrated to its environmental context, AquaPraça adjusts to water levels and occupancy in real time, allowing visitors to meet the sea at eye level," says Höweler. "Its sloping surfaces and shifting levels embody a delicate equilibrium."

Water World: AquaPraça in Photos

The AquaPraça exhibit is towed by two boats through a canal
Cimolai

The platform, on the move.

Stories You May Like

Trailblazing Architect Kimberly Dowdell ’06 Aims to Inspire Others

From Nature’s Structures, Prof Weaves Architectural Creations


A side view of the AquaPraça exhibit, with a woman dipping her hand into the water.
DSL Studio

A view from the water.


Viewers walking on the AquaPraça exhibit
Peter White
Viewers walking on the AquaPraça exhibit
Peter White

Visitors explore during the opening event.


An aerial view of the AquaPraça exhibit.
provided

An aerial perspective.


Meejin Yoon and Eric Höweler are reflected in a pool on the AquaPraça exhibit.
provided

Yoon and Höweler are reflected in their creation.

(Top: Photo by DSL Studio.)

Published September 10, 2025


Comments

  1. Marilynne Sommers, Class of 1974

    Unbelievable! I can’t wait to see it in real time!

Leave a Comment

Once your comment is approved, your email address will not be published. Required fields are marked *

Other stories You may like