a hand-colored photograph of a section of the Bronx River Parkway in Westchester County, 1920s

The Bronx River Parkway in the 1920s. (Courtesy of the Westchester County Archives)

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As a prof’s book recalls, the early 20th-century grads designed Bryant Park, the Bronx River Parkway, two World’s Fairs, and more

By Joe Wilensky

Gilmore Clarke 1913 and Michael Rapuano 1927 are the “unsung giants” of American landscape architecture, says Thomas Campanella, MLA ’91. His newest book, Designing the American Century, is a lavishly illustrated 400-page exploration of the pair’s legacy and professional partnership.

A professor of urban studies and city planning in AAP, Campanella is also the historian-in-residence for NYC’s parks department and spends about half his time in the Big Apple.

Gilmore Clarke, left, and Michael Rapuano, in the only known photo of the two men together, taken on their last day as partners in 1972; they then sold their practice to their senior associates
Clarke (left) and Rapuano in 1972.

“Nowhere is the legacy of Clarke and Rapuano more deeply inscribed,” he writes. “Throw a stone anywhere in this great metropolis and it will likely strike one of their works.”

The duo’s careers spanned a hugely consequential half-century, transforming public landscapes and modernizing cities through the creation of dozens of parks, highways, parkways, and housing projects.

“If influence be measured simply by the number of human lives touched by one’s work,” Campanella observes, “then that of Clarke and Rapuano is unparalleled in the 20th century.”

If influence be measured simply by the number of human lives touched by one’s work, then that of Clarke and Rapuano is unparalleled in the 20th century.

Their NYC portfolio alone includes a slew of historic and enduring urban spaces: Bryant, Riverside, Battery, and Cadman Plaza parks; the Brooklyn Heights Promenade; the Henry Hudson Parkway; and the United Nations campus.

They were also responsible for the site plans for the 1939 and 1964 World’s Fairs, Jones Beach, and the Central Park Zoo—and even sketched out the design for the ubiquitous park bench that can still be found throughout NYC today.

Outside the NYC metro area, they designed parkways in Philadelphia and Washington, DC, the site plan for the Pentagon and its surroundings, and urban renewal plans for several other U.S. cities.

(Clarke also served as AAP’s first professor of city planning and later the college’s dean, commuting from NYC twice a week.)

Their NYC portfolio alone includes a slew of historic and enduring urban spaces: Bryant, Riverside, Battery, and Cadman Plaza parks; the Brooklyn Heights Promenade; the Henry Hudson Parkway; and the U.N. Headquarters.

Many of Clarke and Rapuano’s NYC projects were carried out while they were working for Robert Moses, the now-infamous urban planner and first commissioner of the city’s unified park system.

Campanella grapples with that complicated legacy in the book, along with what he describes as “the unintended consequences of the motor vehicle age.”

New York City's ubiquitous park bench—seen here in East Harlem in 1948—were designed by Gilmore Clarke and Michael Rapuano, based on a design they created for for Rye Playland in Westchester County
Among the pair's lasting contributions is the design of the classic NYC park bench.

Subtitled The Public Landscapes of Clarke and Rapuano, 1915–1965, the volume began 35 years ago—as Campanella’s thesis.

As he recalls, after completing his 2019 book Brooklyn: The Once and Future City, he thought to himself: “Maybe it’s time to get back to my buddies and finish this thing.”

As he describes, Clarke and Rapuano created the nation’s very first parkway—originally envisioned as a way for early motorists to enjoy traveling through lush natural landscapes—along the Bronx River in Westchester County in the 1920s.

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color sketch of the Unisphere and main mall for the 1964 New York World's Fair, designed by Gilmore Clarke and Michael Rapuano
Their work included the site plan for the 1964 New York World’s Fair.

It was soon followed by the Saw Mill and Hutchinson river parkways, making the suburbs more easily reachable, and therefore more desirable, at the dawn of the automobile age.

Those first parkways “were loved, and were very sensitively designed to be good neighbors and to integrate well with the communities and neighborhoods they passed through,” says Campanella, who penned an op-ed for the New York Times marking the Bronx River Parkway’s centennial.

Clarke and Rapuano created the nation’s very first parkway—originally envisioned as a way for early motorists to enjoy traveling through lush natural landscapes—along the Bronx River in Westchester County in the 1920s.

“They were linear parks that included amenities for the non-driving public. People wanted to live near these things, because they were delightful.”

And their effects were largely positive, Campanella notes—pointing out that NYC’s Belt Parkway had the longest separated bikeway in North America when it was built, and that the Henry Hudson Parkway, which runs along Manhattan’s West Side, offers a spectacular entryway into the city.

aerial view of the Henry Hudson Parkway alongside Riverside Park, facing south down the west side of Manhattan, 1937
The Henry Hudson Parkway and Riverside Park in 1937.

“But this was a fleeting moment,” he says. “The cars were small, and not that many people had them. The culture was different.”

The number of automobiles—and with them, the desire for highways and expressways—exploded in the post-World War II era, Campanella notes, with many of the biggest urban road projects “being punched through some of the densest neighborhoods on the Eastern Seaboard.”

And those roads didn’t go through affluent neighborhoods, he says; they almost always transected immigrant, minority, and poor areas, forever altering or even demolishing them and displacing their residents.

Design for the Williamsburg Houses—originally called the Ten Eyck Houses—in Brooklyn, site plan design by Gilmore Clarke and Michael Rapuano
The pair's design sketch for a public housing project in Williamsburg, Brooklyn.

“This is where the story gets complicated,” he says.

“And Clarke and Rapuano were part of that, too—because even with all the wonderful work they did in the prewar period, it’s overshadowed by the urban renewal projects, the public housing projects.”

Even with all the wonderful work they did in the prewar period, it’s overshadowed by the urban renewal projects, the public housing projects.

One of the pair’s biggest endeavors—the Brooklyn Civic Center, which included the renowned Cadman Plaza Park—demolished most of Downtown Brooklyn.

Similarly, their creation of the widely beloved Brooklyn Heights Promenade—“still among the city’s most breathtaking public spaces,” he writes—necessitated the removal of several immigrant neighborhoods.

the United Nations headquarters and surrounding area in NYC, designed by Gilmore Clarke and Michael Rapuano
The U.N. campus in 1955.

But even considering this fraught legacy, Campanella calls Clarke and Rapuano “among the foremost shapers of the postwar metropolitan landscape,” whose influence should be remembered.

“Landscape architects, site planners, urban designers, and civil engineers—they were vernal weavers of the modern motorway,” he writes, “master craftsmen of public parks and parkways for nearly 50 years.”

Top: The Bronx River Parkway in the 1920s. (Hand-colored photo courtesy of the Westchester County Archives; Campanella portrait provided; all other images courtesy of Princeton University Press.)

Published March 30, 2026


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