{"id":52791,"date":"2025-06-02T16:16:06","date_gmt":"2025-06-02T20:16:06","guid":{"rendered":"https:\/\/alumni.cornell.edu\/cornellians\/?p=52791"},"modified":"2025-06-02T16:21:12","modified_gmt":"2025-06-02T20:21:12","slug":"architecture-biennale-2025","status":"publish","type":"post","link":"https:\/\/alumni.cornell.edu\/cornellians\/architecture-biennale-2025\/","title":{"rendered":"At the Biennale, Architects Counter Climate Change with Creativity"},"content":{"rendered":"\n

In Venice, Big Red faculty, staff, and students take up an existential challenge: \u2018the built environment must adapt to an altered planet\u2019<\/p>\n\n\n\n

Editor\u2019s note: This story, which focuses on Cornellians\u2019 contributions to each project, was adapted from <\/em>a feature<\/em><\/a> by the College of Architecture, Art, and Planning. More detailed descriptions of each work, including complete information on contributors, can be found there.<\/em><\/p>\n\n\n\n

By Cornellians<\/em> staff<\/strong><\/p>\n\n\n\n

The 2025 edition of the Venice Architecture Biennale<\/a>\u2014an international celebration and exploration of the field, held in alternating years\u2014opened in mid-May, with a focus on design that addresses the challenges of climate change. <\/p>\n\n\n\n

Among the creativity on display through late November is work by more than a dozen Cornell alumni, faculty, and students. Additionally, Cornellians served as curators of three national pavilions: those of Spain, Qatar, and Pakistan.<\/p>\n\n\n\n

\u201cThe message of this Biennale is urgent: the built environment must adapt to an altered planet,\u201d says the exhibition\u2019s curator, Italian architect and educator Carlo Ratti. \u201cArchitecture, then, is no longer just about form\u2014it is about survival. To meet this challenge, it must adapt itself, drawing on every form of intelligence we possess: natural, artificial, and collective.\u201d<\/p>\n\n\n\n

Here’s a visual sampling of Cornellians\u2019 work on display in Venice:<\/em><\/p>\n\n\n\n

Acapulco: Selective Memories<\/strong><\/h2>\n\n\n\n

Jose Castillo<\/strong>, professor and chair of architecture<\/p>\n\n\n\n

\""Acapulco:
Ricardo de la Concha<\/figcaption><\/figure>\n\n\n\n

The project envisions how Acapulco\u2014formerly a hub for trade and jet-set travel\u2014can be sustainably revitalized, in the face of its current social, environmental, and economic challenges.<\/p>\n\n\n\n

\n\n\n\n

Doxiadis\u2019s Informational Modernism<\/strong><\/h2>\n\n\n\n

Farzin Lotfi-Jam<\/strong>, assistant professor of architecture<\/p>\n\n\n\n

\""Doxiadis\u2019s
provided<\/figcaption><\/figure>\n\n\n\n

The exhibit examines the intertwining of cities, people, and information systems, with a focus on a pioneering computing center in Greece.<\/p>\n\n\n\n

\n\n\n\n

From Waste to Resource: Robotic 3D Printing for Recycling Plastics<\/strong><\/h2>\n\n\n\n

David Costanza<\/strong>, assistant professor of architecture<\/p>\n\n\n\n

\""From
provided<\/figcaption><\/figure>\n\n\n\n

The project challenges the perception of plastics as disposable\u2014recasting them as durable, affordable, and sustainable materials through advanced recycling techniques and more.<\/p>\n\n\n\n

\n\n\n\n

AquaPra\u00e7a<\/strong><\/h2>\n\n\n\n

AAP Dean J. Meejin Yoon, BArch \u201995<\/strong> & Eric H\u00f6weler, BArch \u201994, MArch \u201996<\/strong><\/p>\n\n\n\n

\""AquaPra\u00e7a"
Agnese Bandini<\/figcaption><\/figure>\n\n\n\n

AquaPra\u00e7a<\/em> comprises the design of a 4,000-square-foot-floating cultural plaza, aimed to serve as a platform for global climate dialogue. <\/p>\n\n\n\n

\n\n\n\n

Laguna<\/strong><\/h2>\n\n\n\n

Wonne Ickx<\/strong>, visiting lecturer in architecture<\/p>\n\n\n\n

\""Laguna"
provided<\/figcaption><\/figure>\n\n\n\n

The exhibit showcases the transformation of Laguna, a former textile factory in Mexico City that’s in the process of being converted into usable space via sustainable principles.<\/p>\n\n\n\n

\n\n\n\n

Necto<\/strong><\/h2>\n\n\n\n

Florian Idenburg<\/strong>, professor of the practice in architecture<\/p>\n\n\n\n

\""Necto"
Iwan Baan<\/figcaption><\/figure>\n\n\n\n

Necto<\/em> comprises knitted natural fibers embedded with luminous threads; they’re lightweight, portable, and easily assembled\u2014leaving no trace after they’re exhibited.<\/p>\n\n\n\n

\n\n\n\n

BeLieving in the Mountains<\/strong><\/h2>\n\n\n\n

Mary Anne Ocampo, MArch \u201904<\/strong><\/p>\n\n\n\n

\""BeLieving
IUAV<\/figcaption><\/figure>\n\n\n\n

Using film, drones, data, interviews, and other methods, the project investigates the intersection of climate change, depopulation, and cultural heritage in a community in the Dolomite mountains. <\/p>\n\n\n\n

\n\n\n\n

In the Fold of Shadows: Prosthetic Dialogues<\/strong><\/h2>\n\n\n\n

Laura-India Garinois \u201916, BArch \u201917<\/strong><\/p>\n\n\n\n

\"Part
provided<\/figcaption><\/figure>\n\n\n\n

The project shares how residents of Andalusia have come together to combat record heat waves, through such methods as adding fountains and shade. <\/p>\n\n\n\n

\n\n\n\n

The Porch: Urban, Aquatic, and Crystaline<\/strong><\/h2>\n\n\n\n

Michael Manfredi, MArch \u201980<\/strong><\/p>\n\n\n\n

\""The
provided<\/figcaption><\/figure>\n\n\n\n

The installation is part of an exhibition in the U.S. Pavilion\u2014PORCH: An Architecture of Generosity<\/a><\/em>\u2014exploring the nature of the porch as a quintessentially American space. <\/p>\n\n\n\n

\n\n\n\n

Spanish Pavilion<\/strong><\/h2>\n\n\n\n

Curated by Manuel Bouzas<\/strong>, design teaching fellow in architecture<\/p>\n\n\n\n

\"A
Luis D\u00edaz D\u00edaz<\/figcaption><\/figure>\n\n\n\n

The pavilion\u2019s exhibits include Internalities: Architectures for Territorial Equilibrium<\/em>, which considers the decarbonization of architecture in Spain through adaptations in materials, energy, labor, residues, and emissions.<\/p>\n\n\n\n

\n\n\n\n

Qatar National Pavilion<\/strong><\/h2>\n\n\n\n

Curated by Sean Anderson \u201996, BArch \u201996<\/strong>, associate professor of architecture<\/p>\n\n\n\n

\""Beyti
Giuseppe Miotto \/ Marco Cappelletti Studio<\/figcaption><\/figure>\n\n\n\n

Beyti Beytak. My Home is Your Home. La mia casa \u00e8 la tua casa<\/em> explores how hospitality is embodied in the architecture and urban landscapes of the Middle East, North Africa, and South Asia.<\/p>\n\n\n\n

\n\n\n\n

Pakistan Pavilion<\/h2>\n\n\n\n

Curated by Arsalan Rafique, MArch \u201914<\/strong><\/p>\n\n\n\n

\"image
Omer Ehtisham<\/figcaption><\/figure>\n\n\n\n

(Fr)Agile Systems<\/em> highlights Pakistan’s vulnerability to climate-related disasters; it also underscores the inequity of the global climate crisis, with many nations suffering disproportionately.<\/p>\n\n\n\n

<\/div>\n\n\n\n

In addition to the works pictured above, two non-AAP alumni are participating in the Biennale:<\/em><\/p>\n\n\n\n

Computer science professor Jon Kleinberg \u201993<\/strong> contributed to Archive and the City<\/em>, which explores unexpected parallels between archival practices and urban planning. Anthropology alum Austin Lord, PhD \u201922<\/strong>, contributed to Fragile Frontlines: A Forensic Atlas of Loss & Damage<\/em>, which investigates climate-driven crises in the Hindu Kush Himalaya.<\/p>\n\n\n\n

(Top: Photo of<\/em> Necto by Iwan Baan.)<\/em><\/p>\n\n\n\n

Published June 1, 2025<\/p>\n\n\n\n

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